Yes - I'm cheating a bit today since I'm doing some housekeeping. This 'art' post has been languishing on an' extra page' so I'm now giving it front page exposure. If you need a break from Christmassy things, have a read...
The Influence of Art in Topaz Eyes
The Influence Of Art
In Topaz Eyes
Precious jewellery features more than painting in Topaz Eyes, but the most mysterious
object to be uncovered is a piece of early Dutch artwork. My decision as to
what that might be, while I was creating the mystery of Topaz Eyes, was directly influenced by my love of Dutch and Flemish
art – though it took me a while to decide what.
A long time ago a school friend of mine spluttered that he
couldn’t see what I loved about Dutch and Flemish art of the Golden age since,
to him, it was full of dark dismal scenes. I totally disagreed then, and I
still disagree now. However, he could have been forgiven for his opinion on
this Rembrandt painting, which in a way is related to my Topaz Eyes blog article about Edinburgh. (Please
follow my Topaz Eyes Tour Guide to find out where that particular article is posted during my
mini-blog tour.)
Wikimedia Commons – Rembrandt (1606–1669)
The Anatomy Lesson of Dr. Nicolaes Tulp
This painting was considered quite gruesome in 1969, not so
in today’s more graphic times, yet was so pertinent to the developments during
the golden age.
Although I do like The
Anatomy Lesson of Dr. Nicolaes Tulp, I’m more partial to the paintings by
Rembrandt which depict the venerable burghers of the time with all their
understated, yet pompous, detail.
A decade after leaving school I was very fortunate to live
in Holland. At
the time I couldn’t drive but had access to a bus right outside my house which
took me to the centre of Amsterdam.
What drew my interest there? The architecture was spectacular and I wandered
around taking my fill of it, but I also went to every possible art gallery and
made friends with many of the exhibits.
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| Charles V c. Marie Lan Nguyen -Wikimedia Commons |
In the centre of Amsterdam is
the huge Rijksmuseum, the largest museum in the Netherlands –a spectacularly
beautiful building that’s full of varied works of art. There are paintings
a-plenty in it, but there are also wonderful collections of Delft ceramics, textiles and many other art
media. Some of the works are huge, some medium sized and many are extremely
tiny – and, in particular, miniature paintings and cameo jewellery used to catch my
eye.
Some featured famous people, and though I may not have loved the
associations attributed to the person depicted it was fascinating to
study the miniature to interpret what was in the expression or
demeanour.
What made Lucrezia Borgia - Wikimedia Commons such
an evil person. Was it in her own 'make-up', that strong nose and
calculating eyes? Or was her reputation earned due to influences by the
family around her? In this miniature I do think her eyes demonstrate a
cold and deadly focus.
Sometimes the whimsical nature of the miniatures appealed to me, an example being
that some of those Dutch painters that I so admired paid another artist to make
miniature portraits of them. The one below is of the famous artist Hans Holbein
painted by someone who was lesser known.
Wikimedia Commons Lucas Horenbout (1495-1544) Hans Holbein
Low Countries artists like
Vermeer, Frans Hals, Rembrandt, Pieter Bruegel and other artists of the Golden
Age are represented in the Rijksmuseum. I spent hours and hours gazing at the
paintings and imagined the people represented living behind the doors of the
many Amsterdam
houses that I walked past to reach the museum. Having made trips to the tourist
sites of Holland, the works of Pieter de Hooch
made sense as I could envisage the people in the little houses I’d seen in Delft, the typical
checkered-tile flooring still able to be viewed in many of the tourist spots.
Wikimedia Commons – Pieter de Hooch (1629–after 1684) A Woman with a
Child in a Pantry.
I love looking at the genre paintings that reflect daily
life of the fourteenth, fifteenth and sixteenth centuries in the Low Countries. Those, to me, are the realisms of the age,
but there are also some spectacular surprises that were painted way back then,
the images so ‘out of their time’ they are incredibly memorable.
Wikimedia Commons – Hieronymus Bosch, Prado
Museum (circa 1450-1515) The Garden of Earthly Delights
I could spend hours looking at The Garden of Earthly Delights - especially the right hand panel of
the triptych. I even had a wall poster of it hanging in my house for quite a
while. There is so much detail there, so imaginative and it has to be said,
full of dire consequences regarding the excesses of life.
Another painting that has captured my imagination for a very
long time is by another Dutch/ Flemish artist – Pieter Bruegel the Elder
(1526?-1569). His work has always seemed to have less of the fantasy to me, and
more of the satirical. The excesses of gluttonous eating and drinking are
almost humorously portrayed in Land of Cockaigne,
the drunks sprawled around the foreground, completely out of it. My most
favourite Bruegel painting, however, is The
Hunters in the Snow. There is surrealism
to it, a bleak coldness that’s so evocative of a winter’s day. The mid grey
lowering sky is reflected in the icy water, the snow throwing up a perfect cool
contrast.
Wikimedia Commons – Pieter Bruegel ( 1526?- 1569) The
Hunters in the Snow
But, as I said the Amsterdam
museums are not only full of large oil paintings. Some of the most famous
paintings are relatively small and some famous works of art are very tiny
indeed. In addition to the Rijksmuseum there was the Van Gogh Museum
and other smaller galleries I could visit. Each featured particular types of
artwork, again capturing my imagination.
A love of Dutch genre art was well fed during my time in Holland. I would never
have guessed way back then that I’d use that experience in an unusual way many
years later.
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