Welcome to my first Wednesday in October post.
Today was my regular slot to guest post at the
Writing Wranglers and Warriors Blog. Since I wrote about some of my writing and researching techniques I'm re blogging some of it here - with some different images.
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...Sometimes I need a little bit of help to kick start my imagination when I’m
writing. Once I get that little extra push, I’m right into the scene and then
my characters can take over in their imagined setting.
When I write my contemporary mysteries my imagination is helped by my
memories of a place where I want to scene set. But I also know that my memories can be
fickle and a bit selective
so in the interests of accuracy I use the internet to give me current
photos of where I'm writing about.
In my historical writing it’s not so easy to create visual images for my
locations. I want authenticity and credibility in my stories but I can’t
look back at photographs of my places to see what that landscape was like 2000
years ago. The contours may be largely the same but the vegetation is unlikely
to be similar since recent centuries of farming (since the 18
th century)
and forestry methods in north east
Scotland have altered the original
picture. That means I need to seek help from other places.
I can add ancient
standing stone
circles of the
stone and bronze ages, or stone
hillforts,
or stone
brochs but my imagination has to work double time on
Celtic roundhouses and c
rannogs which have
mostly deteriorated to nothing over the millennia.
What helps sometimes with my ‘scene imagining’ for 2000 years ago Scotland
is looking at the artwork of relevant artists like the famous
Angus
McBride, or from illustrated children's non-fiction history books of which
I still have a large selection!
But I need to remember
it’s that particular artist’s interpretation. Other artists, archaeologists
and historians may interpret things differently. And so do I!
In Book 4 of my
Celtic Fervour Series, when writing about my
character
General Agricola thinking about the Emperor
Domitian and the Senate being back in Ancient Rome, I find it a little helpful
to look at ancient sculptures. The friezes, and the carved fascias of
ancient buildings also give me clues as to what the environment was like.
Things my character
Agricola is remembering as they were almost
2000 years ago.
My visit to
Rome last year helps
me a bit but of course, what I saw last year is only what has survived and not
the
Rome of
Agricola's
era in all it's colourful glory.
Virtual imagining processes of ancient places are fabulous and I love to see
any that are shared with me on Social Media. Looking at
Pompeii,
or Portus (the artificial harbour of ancient
Rome),
or
Athens or
Ancient Egypt is fascinating.
So, last week, when I saw a
FutureLearn course entitled
‘Rome: A Virtual Tour of the Ancient City being
advertised I just could not resist enrolling. Click the link, scroll down
to the little video window and see what's on offer. You might like it, too but
there's not much time to enroll since it starts next week, 9th October! (I loved
my last year's FutureLearn course on
Hadrian's Wall'.)
I’m hoping this Rome course will give me some ideas for polishing my
character named
Agricola a little better, or that it’ll be useful for
the next book in the series BUT—
most of all I hope that it’ll be fun!
What are your thoughts on Virtual imaging? Do you like seeing the
way gifted visual imaging creators present these ancient places?
Expect updates later when I start my course.
Slainthe!