It's my every-second-Saturday slot at Writing Wranglers and Warriors Blog and today it's all about 'Music While You Work.'
It took me a while to write this post, so I'm doing a Re-Blog here so that more people can share its content.
Music While You Work...
Do you listen to music while you write, or edit, or create, or do housework... or do whatever?
What I didn’t realise back then in the 1950s was that the programme, Music While You Work, started in 1940 and it was broadcast till 1967. The music was deliberately chosen to be non-stop light listening with a fairly even tempo, cunningly devised to improve the productivity of factory workers. It was generally live orchestras, dance bands, brass and military bands which provided the music. Wikipedia states that: “strict rules were applied: predominantly familiar pieces, nothing lethargic, consistent volume, avoidance of overloud drumming (which could sound like gunfire), and generally cheerful programmes to which workers could whistle or sing.” Some might call that a type of government propaganda of the era… and they might be right!
And that brings me to Friday Night is Music Night… This was another programme we regularly listened to and is probably the reason that I love classical music, opera, operetta and what I'd call classical musicals. Started in 1953, this show is amazingly still running and is said to be the World’s longest running live orchestral music programme. The BBC Concert Orchestra provides most of the music but the draw of the programme is that the playlist is never broadcast in advance of airing - in this way it keeps loyal followers listening in to find out what’s going to feature. Surprise guest artistes also appear, to accompany the orchestra. It’s broadcast live from many theatres and concert halls throughout the
although regularly from the Mermaid Theatre in London, the Watford Colosseum or the
Hackney Empire. Sometimes previous shows are repeated later in the year when
the orchestra is on tour and therefore isn’t a live broadcast.
On Saturday my Nana would trawl through her old shellac 78s (rpm) collection, and her recently bought vinyl ones, to find a copy of what had been featured that previous Friday night. If she had the music then it went a few more rounds on the radiogram (vintage radio and record player combined, in a walnut cabinet) on the Saturday night before the usual Saturday broadcasts. Her collection was added to by copies from my Uncle Eddie who regularly bought new copies of his classical and musicals if his own got a bit scratched.
I still have some of their records in boxes in one of my cupboards. I’ve no idea what I’ll do with our collection of old shellac 78s and vinyls, EPs and Singles; even some early tapes for original type tape recorders, but I can’t bear to throw them away.
The whole compilation of a half dozen large boxes is fairly eclectic because it also includes my dad’s Scottish music and some of his Country and Western like Johnny Cash.
There’s my own classical, folk music, The Beatles, Simon and Garfunkel and other 1960s pop. Though a lot of the collection is British artistes there are also US ones.
There’s my husband’s large Jazz collection- Traditional and Experimental and his classical which wasn’t the same as mine. He loved The Shadows and Buddy Holly ...
The Rolling Stones and early hard rock are in there.
And that reminds me of an extra little story about those album covers.
Somewhere around 2005, as a teacher of 11-12 year olds, I was asked to add a new historical topic to the annual study programme. Normally I'd be teaching The Victorian Era, or World War 2 but I was (GULP) asked to teach the 1960s /1970s. "What?" I screeched to my headteacher. "That's my life!" Yes- by then it was what I'd lived through and didn't seem like history to me but it certainly was to that current crop of 11 year olds. As part of the studies of Artwork of the period, I dug out my album covers since they are actually quite iconic art of the time. I took a bundle (30) in of very mixed music types and asked the kids to evaluate them (back and front) for specific targets like: visual impact, colour; image portrayal; info given on artistes and recording studios etc; pointers to genre...and so on.
The cover which garnered the most interest was one of The rolling stones and not the above one. It was the one seen here called Sticky Fingers.
I'm not sure if anyone reading this post will recognise this album but the cardboard sleeve comes with an actual metal Zipper that can be pulled down. Yes- it was deliberately suggestive back in 1971! Now was their interest a surprise given the age of the kids I was teaching? Not really when some had hormones screeching 'let me out'. But when questioned they were actually more fascinated by the fact that we wore jeans in 1971!
Probably the most ancient of my collection were 78s of early Disney movies like the original sound track from ‘Snow White and The Seven Dwarfs’. There used to even be a ‘one-sided shellac’ recording (I think) of Al Jolson but, sadly, I’ve a niggly feeling that got cracked when my kids were little. I've unearthed one of the boxes but sadly can't find the earliest recorded ones. Maybe they're in another of the boxes? That's my hope but I've no more time to rake around.
As this blog post airs it's the Memorial Weekend holiday in the
US and what follows
might be of interest to the US
readers of this blog.
There's probably an even more appropriate one for Memorial Weekend by Deanna Durbin named '
I checked Youtube to see if I could hear what it was like because I couldn't remember it, and to my surprise here's the very same recording.
Loads of the vinyl albums are 1950s and early 1960s musicals-South Pacific;
Sound of Music- and some of other motion picture scores like Seven Brides for
There's also some operetta by Gilbert and Sullivan. My absolute favourite of G&S is The Pirates of Penzance but I love seeing productions of pretty well all of G&S work because the original performances were so satirical of British politics of the time. (And that’s a hot potato just now... but this blog isn't the place to air my own politics!)
However... the G &S operetta is a great medium for contemporary productions to update the lyrics and they do that so well with particular British gusto!
As this post goes live I’m off to His Majesty's Theatre in Aberdeen, Scotland, to see a production of Gilbert and Sullivan’s The Mikado claimed to be their most famous work worldwide - Though I’m not sure how well known it is in the US today. (The HMT theatre was opened in 1906 so it was during the reign of Edward VII and therefore HIS Majesty's)
I love the ’tongue in cheek’ stuff as the singers do excellently clever refrains. Considering it first had an airing in 1885, it’s a production that’s been round the block a time or two! This is my birthday treat from both of my daughters who are accompanying my OH and me for a meal and afterwards the theatre. (My birthday was the ides of March but they knew I’d enjoy the G&S comic opera even if I had to wait a couple of months)
I have no idea of what might be 'On that little List' in the Mikado tonight but it's sure to have a touch of current political leaders like David Cameron, and potential US ones like Donald Trump and maybe even Hillary Clinton. And since it's being produced in our provincial theatre it'll probably have some local political references as well.
Will I get any inspiration for my writing from this event? Probably not but I always come away from these operettas with a lightened heart so who knows….
Does any of the above music ring a bell for you?
Whatever you’re doing this Memorial Weekend- enjoy!
p.s My fun Contemporary Romantic Mystery – Take Me Now- based in Scotland, but featuring whirlwind worldwide travel, might still be at a reduced price on Amazon since it was a featured book on the Crooked Cat Books Facebook page during the week 20-27th May.