Friday, 26 March 2021

NOUGAT DAY! 26th March

Today, Friday 26th March is NOUGAT DAY!

Love it or loathe it? 

Fine Piece Friday!  Love it or loathe it? Today, Friday 26th March is NOUGAT DAY!

In north-east Scotland if you have a 'fly cup' (morning /afternoon coffee or tea) you might have a 'Fine Piece' with it. That generally means something sweet or delicious. So, today, it just has to be something with nougat. :-)

The ancient cookery writer Apicius wrote down some recipes which may have produced something similar to nougat, if the mixture 'cooked' for a sufficient time to make the ingredients chewy, using: honey; egg whites and nuts (almonds or other).

Making nougat isn't for the novice cook (IMO) but there's a video link below that makes it look 'possible'- not easy, but maybe possible! ;-)



I love nougat though it's really far too sweet for my teeth.  How about you?

Do you have a favourite treat that contains nougat?

Enjoy.

Slàinte! 

Tuesday, 23 March 2021

Quinquatria and Tubilustrium Festivals!

Happy end of Quinquatria and Happy Tubilustrium greetings to you!

I did say that March was a busy month for festivals in Ancient Rome! What you’ll find below are not the only versions available to read in books and across the internet about the festivals of the Quinquatria and Tubilustrium. Like the other festivals I’ve mentioned on this blog, over time religious festival habits changed and the classical sources differ, according to when they were written and what might have currently been more common.

Quinquatria

Minerva, Simon Vouet  1590-1649
The Hermitage Museum 

Between the 19th and 23rd March was the time of the Quinquatria (sometimes named Quinquatrus), a festival sacred to the goddess Minerva. Originally, it was likely to have also celebrated the Spring Equinox, a time of rebirth, and may have celebrated the fertility of women. The Quinquatria began on the fifth day after the ides of March (middle of the month).

There is some doubt in ancient sources about the duration of Quinquatria – Only one day? Or as many as five?


Varro, Festus, and Ovid quote different celebration durations. However, Ancient Roman calendars only mark one day for the festival.

Ovid wrote that it got the name Quinquatria because it continued for five days. According to him no blood was shed on the first day, but contests of gladiators took place on the following four days. Ovid’s version is also that the festival commemorated the birthday of Minerva.

Festus wrote it was because the Minerva temple on the Aventine was consecrated on that day.

Since the Quinquatria was sacred to Minerva, women may have consulted fortune-tellers and diviners, in the belief that Minerva was guiding their futures.

The Emperor Domitian (reign AD 81-96) celebrated the Quinquatria quite spectacularly at his Alban villa, where a newly set-up collegium (priest group) oversaw the celebrations. Domitian ordered shows of wild beasts. Plays were performed, and there were contests of orators and poets.

The last day, the 23rd March, seems to have been one of those ‘use it since it’s there already’ festival days.

The Tubilustrium Festival

Tubilustrium - Trajan's Column

From the earliest times of Roman military strength, the 23rd March was a day when the trumpets used for giving military commands, during practice regimes and in battle, were symbolically cleansed and purified. This ancient festival was named the Tubilustrium. Once the trumpets had undergone the official ritual cleansing and purification process, it was a signal that all was ready to begin the new military campaign season. It was a signal that once the spring planting was over, the farmer/soldier would leave the land-tending to others, and they would converge at a nominated place e.g.  Rome. They were ready to resume an ongoing battle with some other tribe, or country. Or, they were prepared to begin a new invasion with their weapons all spick and span, and polished to the sharpest edges!

The October Armilustrium festival was the opposite to the Tubilustrium. In mid-October, the earliest Ancient Roman armies symbolically wiped-off their weapons and packed them away till the next Tubilustrium festival, in the following month of March. In October, the men went back to their homes and helped with any crop gathering that still needed to be done. They then stayed home till the spring call to arms, the Tubilustrium. During that winter down-time they ensured that their weapons/ kit (shields, knives etc) were renewed and ready.

Since I write of the Roman Army invasions of northern Britannia during the late 1st Century AD,  the idea of how the legions celebrated any of the military-oriented festivals is one which has preoccupied me, at times. There were so many Roman festivals held annually, but any in honour of the god Mars, or to do with military prowess and armaments must still have been very highly regarded by the armies of Rome.

Minerva - Frans Dekker

Some of the Britannic troops might well have had some free time on military festival days, possibly drawn according to some form of roster system. I’m sure that marking a day differently from another one was possible. Perhaps there was a small ceremony officiated by the Camp Commander or the Primus Pilus (first spear and highest ranking non-commissioned officer). Or maybe a Legionary Legate conducted the ceremony to bolster troop morale. The actual ceremony and duration of any festivities may well have depended on what size the fort or fortress was and the stability of the area with regard to avenging local tribespeople (barbarians or semi-subdued). 

There is spectacular evidence from Trimontium Roman Fort (Melrose, Scotland) of military parade helmets. It’s thought that the helmets and masks would have only been worn by the equestrian forces during ceremonies or special ‘shows’. I like to think that the superb craftmanship of the masks and helmets were shown off during a symbolic Tubilustrium, and other Mars festivals.


1st C AD Parade Helmet- National Museum of Scotland
Found at Trimontium Fort, Melrose

Since the Ancient Romans, and the army in general, were very guided on a day-to-day basis by religious beliefs then the Tubilustrium and other Mars festivals might have been extremely important for mental morale in Britannia.

I don’t think many of the auxiliary army units who occupied Britain in the 1st Century AD ever had the luxury of completely abandoning warfare in October, for a winter ‘down-time’. Tacitus, however, mentions that the legions tended to retreat from an occupied front line, to overwinter in a legionary base. That practice, to me, would have been very dependent on whether or not the local Iron Age tribes took ‘time-off’ from making any fort attacks during the winter season. There may only have been the possibility of removing the legionary soldiers to a fortress base if auxiliary troops were substituted to outposts if they were still manned.

Copy display at Trimontium Museum, Melrose.
(Look behind the helmet peak and you'll see a photo of a
terracotta statuette of Minerva that was found at Trimontium) 

While on active campaign in Britannia, and sleeping under leather tents, I feel that celebrating any festivals would have been a solitary occupation. A quick prayer to the nominated god a few more times on that special day might have been the only recourse to the rank and file soldiers. 

I hope you have enjoyed reading about my Fascinating Festivals! 

Slàinte! 

https://nancyjardine.blogspot.com/2019/04/a2zchallenge-m-is-for-minerva.html

 https://commons.wikimedia.org/wiki/File:Jan_Frans_Deckers,_Gehelmde_Minerva-_Minerve_casqu%C3%A9e,_KBS-FRB.jpg



 

Wednesday, 17 March 2021

Suovetaurilia Sacrifices! #Martius

Happy Wednesday to you! 

I research when I feel the urge, though Wednesdays might be a more focused day for my research from now on. The reason is because our new Ocelot Press Readers Group on Facebook has begun  a 'WeSearchWednesday' feature. 

Today, I've been researching more about Martius festivals - i.e. of the month of March. This new focus is about the Suovetaurilia sacrifices and I've been getting my information from my brand new birthday book - Roman Art from The Louvre. 




Research is definitely all in the interpretation! A lot like my historical fiction writing.

Ancient Roman sacrifice was a popular event. and during the month of March there were plenty of opportunities.


An anonymous drawing of this fragment of a marble relief is in the Louvre collections. (I'm still trying to prove the whereabouts of the original marble since it used to be in the Grimani / Borghese collection.) Sadly it has only been partially restored in recent centuries after being discovered during the Renaissance era.


The animals lined up for the sacrifice are a pig  (sus); a ram (ovis) and a bull (taurus). This particular threesome made the event an even more special sacrifice and was named a Suovetaurilia. Suovetaurilia ceremonies tended to be associated with dedication to the god Mars. They were purification rites, as were many of the other war associated March ceremonies and festivals. The bull is adorned with sacrificial vestments and ornaments. (dorsuale, frontalia and infulae)

The animals are led by three victimarii, three assistants who carried out the sacrifices. Each of them wears a toga bunched up at the waist rather than a limus, a sacrificial apron. Perhaps this is because it was an even more special sacrifice than many would have been. Read on to find out...

popa

Behind the bull is the popa, his sacrificial axe carried over his shoulders. Personally, I think the togas are bunched up to avoid the inevitable blood flow that would result after the sacrifices.

The sizeable pig is quite inquisitive and shows few signs of the fate in store for it. But that again is the artistic licence. Cowardly animals, like cowardly people, would not have been represented in Ancient Rome - except, of course,  if they were vanquished barbarian tribespeople!

laurel wreathed

It's difficult to see the details but the three major figures are crowned with laurel. This signifies that the lead priest is the emperor.

The dating of the marble is probably first half of the 1st Century AD. Emperors who were known to have been associated with these ceremonies were Augustus and Tiberius AD. 14; Claudius and Vitellius AD 47/48; and Vespasian and Titus c. AD 72/73 - according to their consular and religious offices.

Since I write about the latter part of the 1st C AD,  I'd like it to be of Vespasian but because the main faces have been restored it's difficult  for the experts to decide which emperor it might be. that has also obscured the ability to assess according to the stylistic criteria of the eras e.g more realism during the time of Claudius. 

Even more complicated is the fact that what is seen above was likely to have been only one side of a double Suovetaurilia composition, since there's a hint of a second altar at the right hand side.

Which of the emperors would you like it to be?

This is another long frieze of a Suovetaurilia ceremony. 



Slàinte!